Lost World –Civilization Erased by Piety and FanaticismPART ONE |
Sources:
|
||||||||||||
|
Pax
Romana |
Christendom |
Towns
Verulamium |
Roman civilization was essentially urban. Three technologies made its great cities possible: huge, grain-carrying merchant ships; concrete; and efficient water supplies. Roman engineers improved on the Greek pillar-and-beam design with the load-spreading arch. Arches and vaults, made of brick-faced concrete, allowed Roman architects to build with great visual variety and to an immense size. |
Rapacious taxation, rather than barbarians, destroyed most Roman towns, abandoned as their citizenry dispersed across the countryside. Though taxed more than ever, urban residents received little in return. For generations, the ostentatious patronage of the urban elite had been lavished on civic amenities. But in the late Roman world that patronage went, instead, into churches, monasteries, relics, holy men and pilgrimages. The urban aristocracy increasingly abandoned the towns as a way to avoid their civic responsibilities. No longer spending money on maintaining public buildings, a moated manor or a bishop's palace for their own exclusive use became the residence of choice. In a further step, small-holders sold themselves into serfdom with the local 'baron' to avoid more immediate dangers.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Herculaneum |
Town planning at Ostia |
||||||||||||||||||||||||||||||||||||||||||||||||||||
Iron-reinforcements and a cement called pozzolana (lime and volcanic ash) enabled the Romans to build with pre-stressed concrete – and underwater. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Fresh water flowed freely from this public fountain at Herculaneum |
Road drainage, Herculaneum |
||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
Fast FoodWine and bread shop, 1st century Pompeii |
Squalor Christian Europe built no sewers or aqueducts to flush the filth and squalor from the towns. Ecclesiastic buildings might take the form of a great rural estate, seat of the local pontiff, but towns were a chaos of confusion, crisscrossed by dingy lanes and stinking alleyways. Not until the frequent epidemics in the 19th century made males of military age unfit to serve in imperial armies did European governments address the issue.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
Shopping MallRoman shopping mall on 6 floors – built early in the 2nd century. (Trajan's Market, Rome)Nothing like it would be seen again until the 20th century. |
||||||||||||||||||||||||||||||||||||||||||||||||||||
Aqueduct, Segovia |
FRESH WATER ROMAN AQUEDUCTS Impressive by any standards – dressed stone without mortar and maintaining a steady gradient of 0.4%. 400 miles of piping supplied 1st century Rome with 900 million litres of water per day. The Roman system of water supply was not equalled anywhere until the 19th century. |
||||||||||||||||||||||||||||||||||||||||||||||||||||
SANITATION Even on the frontiers of the empire, the common soldier in the Roman army had fresh water and the use of flushing lavatories.
Public toilet – Ostia, Italy |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||
Vitruvius's massive crane |
CONSTRUCTIONCranes and pulleys were in use from the 6th century BC. Vitruvius, chief engineer of Augustus, wrote an encyclopedic work "De architectura" which became the standard reference book for Renaissance architects and engineers – fifteen centuries after his death. |
||||||||||||||||||||||||||||||||||||||||||||||||||||
Roman brick |
BRICK & TILEThe Romans took the art of brick making to the far reaches of the empire. So long as suitable clay, sand and water was available, tiles and bricks were manufactured on-site or in kilns nearby. Flatter than modern bricks Roman bricks were seldom more than 2 inches thick. Today they are practically as sound as when they were made, fifteen centuries ago.
Polychromatic marble floor, Hadrian's Villa, Tivoli (2nd century AD) |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Roman roof tiles |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Villas & Agriculture |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Roman villa
|
The Roman villa was more than a home for a rich family. It was the centre of an 'agribusiness', producing food for the army, neighbouring towns and export. It was also a taxable unit, with tax levied on acreage. Decorated with mosaics, painted wall-plaster and exotic statuary a villa proclaimed the owner’s taste, knowledge of the classics and obvious wealth. |
The villa had been an integral part of a money economy. When trade and urban life collapsed the great villas followed suit. As Europe's population fell, farmlands were reclaimed by the wild.
Villas, like everything else, were robbed out for their tiles and bricks. For a century or two, part of a villa may have remained occupied but then maintenance became impossible.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Roman plough (mosaic)
Roman harvesting machine |
The Romans introduced the iron-bladed plough to northern Europe, and mounted it on wheels. The Romans also introduced into the local diet carrots, peas, apples, pears, apricots, turnips, coriander and asparagus – and the idea of a 3-course meal! They also took the cultivation of the vine into conquered lands. Lucius Columella, a Roman soldier and farmer of the 1st century, wrote extensively on agriculture, viniculture and animal husbandry ('De re rustica'). |
||||||||||||||||||||||||||||||||||||||||||||||||||||
Bridges |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
After the fall of Rome bridge builders reverted to the use of wood and many a medieval bridge went up in flame. Wood was only superseded – by iron and steel – in the early Industrial Revolution. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Tropaeum to Augustus – La Turbie, France |
MONUMENTAL ARCHITECTUREAt half its original height the Trophy of Augustus (6 BC), built to symbolise the Romanisation of Gaul, dwarfs the medieval church built more than 1500 years later from stone pillaged from its structure.Monks from Lérins tried their hand at destroying the edifice in the 8th century. Louis XIV had another go with explosive in the 18th century. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Sacred Space |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Roman Temple. This classic beauty survived thanks to Mussolini!
|
Pantheon – unsurpassed masterpiece. Hadrian, enthusiastic architect as well as emperor, prepared much of the design.
At 43m the Pantheon's dome is larger than St Peter's and was not surpassed until 1960. 7th century Christian Monastery.
Not quite the Pantheon – though built 500 years later by Christian monks. Skellig Michael, Ireland. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
|
Hadrian's mausoleumAbout this reassuring hulk huddled medieval Rome – barely 30,000 impoverished inhabitants. In the heyday of the caesars, the city had housed more than a million people.
|
Tomb RobberBuilt by Emperor Hadrian as his final resting place, the tomb was converted into a papal fortress in the 6th century. Re-styled as the "Castel Sant' Angelo" (because a plague-ending angel had hovered there according to Pope Gregory), this massive edifice of paganism was later connected to the Vatican by a secret passage, thus providing the popes with a convenient hideaway.
|
The bridge linking Hadrian's mausoleum to the city, Pons Aelius (aka Ponte S. Angelo) from the end of the 17th century has sported Bernini's 'angels.' But from 1480 AD it had been lined by a row of gallows displaying headless corpses – no doubt, the godless.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Civic Amenities |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Arena – Nimes |
There had been well over 250 amphitheatres in the Roman empire. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Roman Gymnasium, Sardis (Turkey) |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||
The Baths |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||
"Nero provided the first public baths ... As dynasties succeeded one another, the baths became larger and more luxurious ... it became the custom to linger there for hours on end, so that they became the social centres, clubs and cafés of Imperial Rome." – Grimal (Rome of the Caesars, p21) |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Hadrianic baths – Leptis Magna |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
Roman central heating was not only under floor heating, it included wall vents as well – an all-round solution unknown even today!![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||
Colosseum: the quintessential symbol of Roman culture. |
The Flavian amphitheatre – over 620 feet long, 525 feet wide and 157 feet high.The cement foundations alone were 23 feet thick. According to the "Chronographia" of 354 AD, it could contain 87,000 spectators, about half of them sitting. |
End of the Games?Gladiatorial contests and blood sports – like slavery itself – continued long after the triumph of Christianity. Only war and poverty brought them to a close – NOT 'Christian compassion.' The last shows seen in the Coliseum were early in the 6th century, during the reign of the Gothic king Theodoric (a Christian monarch). After Theodoric's death, Justinian invaded Italy and in the general ruin of the peninsula grand entertainment of all kinds disappeared. |
|||||||||||||||||||||||||||||||||||||||||||||||||||
The Colosseum, like other great structures, was scavenged for building material for centuries. Cardinal Farnese (1534-49) used 4000 men in a single day to pillage material. Cut stone from the Colosseum was used in St. Peters, the Lateran, Palazzo Venezia, even in the Tiber's river defences. Looting of the arena only stopped in the 18th century when the popes found it more profitable to turn the ruin into a 'holy site,' honouring supposed martyrs. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||
Roman Theatre (Verulamium)
|
Theatres were more numerous than the more spectacular amphitheatres. Rome itself had several. The first permanent Roman playhouse was Pompey's Theatre, built in 55 BC. Larger than the Greek prototypes, the Romans built immense, freestanding, open-air theatres, seating over 15,000 spectators.
General supervision of the theatre came from an official called an ædile, but the productions themselves were private investments – in some cases, as part of a political contest. Coarse buffoonery, satire, indecent humour, burlesque and wrestling were standard fare. Often, one actor spoke the lines while a second mimed with exaggerated gestures. Decorative masks, costumes and dancing completed the show.
|
The Church, competing in the same crowded market place as the theatre, condemned the "unhappy slaves of a cruel voluptuousness." The last recorded performance in Rome took place in AD 533 during the reign of Theodoric, the Gothic Christian king. In Constantinople, the actress 'Theodora from the brothel' ('ek tou porneiou' – Bishop John of Ephesus) married a prince and became a most pious empress. The theatre which had given her a start came under a cloud and in the 7th century was banned throughout the east. |
|||||||||||||||||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Copyright © 2004 by
Kenneth Humphreys.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||