The Evolving Legend

– How the Godman is Made and Remade

Sources:
William Dalrymple, From the Holy Mountain (Flamingo. 1998)
Michael Walsh, A Dictionary of Devotions (Burns & Oates, 1993)
Ian Wilson, Holy Faces, Secret Places (Doubleday, 1991)
Dom Robert Le Gall, Symbols of Catholicism (Editions Assouline, 1997)
Webb & Bower, The Illustrated Gospel of St John (1985)
Robin Keeley, Jesus 2000 (Lion, 1989)
R. E. Witt, Isis in the Ancient World (John Hopkins UP, 1971)
Keith Hopkins, A World Full of Gods (Free Press, 1999)
Timothy Ware, The Orthodox Church (Penguin, 1993)

email the author –
Kenneth Humphreys
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01.11.05 

 

Don't I know that face ...?

Those big, staring eyes, that dimpled chin ...



Within 50 years of Constantine, Christ gets an identical face!

(4th century mosaic floor, Hinton St. Mary, Dorset, England)

 

 

 

 

 

 

 

 

Apollo (aka Helios, Phoebus), sun-god on his daily ride across the sky.
Like Horus before him and Christ after him, he was the Light of the World.
Apollo was also the god of healing, so sick people prayed to him.
He was also, son of the Big Guy – who in those days went by the name of Zeus!

 

 

 

Looks familiar...

Young, Antinous-like Christ (complete with exposed genitals) gets his holy bath
6th century Arian baptistery, Ravenna

 

 

 

 

 

 

 

 

 

 

 

 

 

Aging God

"The figure of Christ,
which had at first been youthful, becomes older from century to century... as the age of Christianity itself progresses."

– Adolphe Didron (Christian Iconography)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lamb Chopped

At the close of the 8th century, Pope Hadrian I (772-795) confirmed the decrees of the 6th Synod of Constantinople held almost a century earlier and commanded that thereafter "the figure of a man should take the place of a lamb on the cross."
It took Christianity eight centuries to develop the ubiquitous symbol of its suffering Savior.
For 800 years, its Christ on the cross had been a lamb.
But if a real flesh and blood Jesus had actually been crucified, why was his place on the cross so long usurped by a lamb?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Well Dead

Michelangelo Gets with the Program

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A melange of apostate Jews and déclassé Greeks create a God:

From Apollo to Jesus Christ!

During the 2nd and 3rd centuries Greek sage and Jewish scribe, pagan hierophant and Egyptian priest, all contributed to the fabulous 'Christian' legend. The common hope was for an afterlife, no longer just for the elite but for all and sundry. To Constantine the superstition was useful.
In the early 4th century, the worship of Jesus Christ became a State sponsored cult throughout the Roman Empire – and was particularly successful in Egypt.

Apollo – Fit
Handsome, young, healthy and naked
(Um, that won't do for a Christian empire... )

Jesus Christ – Super-synthesis

Messianic savior god, promising a personal salvation – the ultimate product of East Mediterranean syncretism.
Synthetic, composite character, combining characteristics of Serapis (king and judge), with Greek sage (wisdom, compassion), Antinous (perfect man, protecting sacrifice) and the Roman variant of the sun-god – Mithras.
The winning ingredient of the Christians was to bring this new god to life by setting him in a Jewish pageant, clobbered together from plagiarized episodes of Old Testament scripture (over 400 direct quotes) and well-worn pagan motifs.
The various 'biographies' (gospels) were never fully harmonized; it took over three centuries of violence to more or less agree the underpinning 'theology' but then – WHAT A SUCCESS STORY!

 

JC takes over from Apollo as the Sun God in his fiery chariot

3rd century, tomb mosaic, Rome

Apollo as Sun God - 2nd century AD

JC, with augur's wand and legislator's scroll, raises Lazarus

3rd century sarcophagus
 

JC takes over from Apollo as the "Good Shepherd"

4th century, catacombs, Rome

Good Shepherd Christ
4th century AD Rome

Good Shepherd Apollo
6th century BC Athens

JC dons his philosopher's toga

4th century, Rome

Socrates – 5th century BC Athens

JC takes over as teacher

4th century – Sarcophagus of Junius Bassus (Rome, 359 AD)

Greek philosopher as teacher – Socrates – 5th century BC Athens

Baptism of boyish 6th century Christ (Ivory, Egypt or Syria – British Museum).
Note: The River Jordan is personified (lower right).

4th century Antinous, with Cross in one hand – and the grapes of Dionysus in the other!
(Stele from Antinoopolis, Egypt. Staatliche Museen, Berlin)

JC takes inspiration from a human sacrifice (Antinous)

6th/7th century Coptic Christ, Egypt
– note the grapes of Dionysus!
Clothed – but is that a family resemblance to Antinous ?!

JC, as Good Shepherd, wields his cross as a shepherd's crook

5th century mosaic, tomb of Galla Placidia, Ravenna

JC, clean shaven young man, as Greek philosopher, moving in polite society, sporting Apollo's sun 'nimbus'

6th century mosaic
 

JC as soldier – this time carrying his cross like a lance, strutting about as a Roman conqueror

6th century mosaic, Archiepiscopal Chapel, Ravenna

JC changes philosopher's toga for monk's habit, grows a rabbi's beard, gets older.

6th century, Mt Sinai Monastery

JC, older and weary but not yet hung on a cross.

6th-7th century, Egypt (Coptic, Louvre)
In the West

JC, beardless but now with distorted proportions, gets nailed to his cross.

7th century, Athlone, Ireland

JC becomes a Frankish warrior, complete with Woden's headdress, weapons and long penis!

7th century, France
In the East

JC loses his humanity, becomes solemn, stylised icon.

7th-8th century, catacombs, Rome

JC, hung up to die (but keeps his clothes on)

9th century, Chludoff Psalter

JC, bearded yet still young, is the Christus Triumphans – on his cross but alive and without suffering.

10th century, Ireland (Monastery of Monasterboice)

JC – older, uglier – just like the Church

11th century, Sinai Monastery ("Pantocrator") Daphni, Greece

JC – mean, sinister – just like the Church

12th century, Russia (fresco)

JC naked and limp on his cross

15th century manuscript (Aberdeen)

Jesus becomes a Borgia!

 
1520 Altobello Melone paints Jesus on The Walk
to Emmaus.
 
1520 Altobello Melone paints Cesare Borgia, son of Pope Alexander VI and thoroughly nasty piece of work.
The familiar image of Jesus Christ – modelled on the notorious Renaissance prince, in turns archbishop, cardinal, warlord and murderer. Dead at 31. At one point Cesare hired the services of Leonardo da Vinci (see Shroud).

JC in agony –  Just like Christian Europe

16th woodcut (Durer)

JC emaciated, dead

16th century, Netherlands (David Gerard)

JC – On his knees, beaten, suffering – looks promising ...

17th century, Spain

That's better – a tortured man for a tortured society ...

Christianity triumphs

 

 

Back to Home Page
Preparing the Ground for Christianity – "Pick'n'Mix" in the Ancient World
 
Christianity's "civil war": Arian vs Catholic – The Struggle for Power
 
Hearts & Minds?The "Conversion" of the Tribesmen
 
1000 Years of Carnage & Barbarity in the name of Christ
 
The Papal Princes – Christian Lords of Hell on Earth
   

 

 

 

 

Copyright © 2004 by Kenneth Humphreys.
Copying is freely permitted, provided credit is given to the author and no material herein is sold for profit.